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DIAPASON (France) (5 Diapasons)
CLASSICA (France)
MUSE BAROQUE (France)
CD COMPACT (Spain)
BAYERISCHE RUNDFUNK (Germany)
GRAMOPHONE (UK)
AUDIOPHILE (USA)
MUSICA DONUM DEI
NOTE 1 (GERMANY) |
http://www.audaud.com/article.php?ArticleID=5332
BACH: Little Organ Book – Ensemble Mare Nostrum/ Andrea
De Carlo – M•A Recordings M076A, 70:32 ***** [Distr. by Allegro]:
What this is, dear reader, is an orchestration of Bach’s probably
pedagogical Orgelbuchlein, maybe designed to teach his sons how to
play the pedal, and maybe not—we just aren’t sure. What we can be sure of is
that any time one decides to transcribe an organ work one had better know
what one is doing, or the results can be disastrous. In this case, the eight
member of the Ensemble Mare Nostrum negotiate this music with such adeptness
and absolute authority than I am tempted to say that they make it seem as if
Bach himself had scored these 45+ chorales for this very instrumentation
(tenor viol, portative organ, bass viol(s), boy and female soprano, archlute).
The arrangements are all highly stylish and period-pointed, the playing
remarkably fluid and concise, and believe it or not, not an ounce of boredom
through the 70-odd minutes of this disc, even though we are only hearing
chorales.
But what chorales! These beauties are all four-part contrapuntist-scored and
constitute Bach not at his most teaching-oriented (of which he always was)
but also at his most inspired. The music is simply beautiful (no doubt aided
by the exceptional orchestration), and I just reveled in it with nary a
thought about anything else for the entire hour. The skills with which the
various colors and instrumental capabilities are combined startle the senses
and make one wish to beg for more. Truly this is as delightful a baroque
album as I have encountered all year, and I can’t recommend it highly
enough!
MA recordings seems to be a wide ranging company that records all kinds of
music, and Todd Garfinkle says this about the recordings on their website (ww.marecordings.com):
Technically speaking, the recordings are produced with
only two omni-directional microphones, the signals of which are "fed"
through exotic audio cabling into handmade and customized recording
equipment, designed specifically for M•A... In order to maintain the quality
of sound, all M•A Recordings are produced in large, acoustically significant
environments such as classical concert halls, churches and galleries. The
importance of these environments cannot be overemphasized, as these spaces
can only be considered as one of the co-creators of the recordings produced
in them. The sounds created in a given space could simply not have been
perceived anywhere else.”
I can certainly testify to the warm, vibrant sound of
this recording, easily putting MA up there with the best hi-res-wise. Thank
God for the smaller companies these days - the future of the recorded art
for sure.
-- Steven Ritter
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